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| LEADER |
02802nam a22003855i 4500 |
| 001 |
000293650 |
| 005 |
20211008132141.0 |
| 007 |
cr nn 008mamaa |
| 008 |
171022s2017 gw | s |||| 0|eng d |
| 020 |
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|a 9783319473376
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| 024 |
7 |
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|a 10.1007/978-3-319-47337-6
|2 doi
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| 040 |
|
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|a Sistema de Bibliotecas del Tecnológico de Costa Rica
|
| 245 |
1 |
4 |
|a The Musical-Mathematical Mind :
|b Patterns and Transformations /
|c edited by Gabriel Pareyon, Silvia Pina-Romero, Octavio A. Agustín-Aquino, Emilio Lluis-Puebla.
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| 250 |
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|a 1st ed. 2017.
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| 260 |
# |
# |
|a Cham :
|b Springer International Publishing :
|b Imprint: Springer,
|c 2017.
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| 300 |
|
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|a XXIX, 345 p. 144 illus., 43 illus. in color. :
|b online resource.
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
1 |
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|a Computational Music Science,
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| 505 |
0 |
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|a Introduction -- Extended Counterpoint Symmetries and Continuous Counterpoint -- A Survey of Applications of the Discrete Fourier Transform in Music Theory -- Gestures on Locales and Localic Topoi -- A Proposal for a Music Writing for the Visually Impaired -- Group Theory for Pitch Sequence Representation -- The Mechanics of Tipping Points -- Lexicographic Orderings of Modes and Morphisms -- Music of Quantum Circles -- Algebraic Combinatorics on Modes -- Proportion, Perception, Speculation -- Models and Algorithms for Music Generated by Physiological Processes -- Music, Expectation, and Information Theory -- Gestural Dynamics in Modulation: (Towards) A Musical String Theory -- The Sense of Subdominant: A Fregean Perspective on Music-Theoretical Conceptualization -- How Learned Patterns Allow Artist-Level Improvisers to Focus on Planning and Interaction During Improvisation -- Wooden Idiophones: Classification Through Phase Synchronization Analysis -- A Fuzzy Rule Model for High-Level Musical Features on Automated Composition Systems -- The Musical Experience Between Measurement and Computation -- Generic Additive Synthesis -- Dynamical Virtual Sounding Networks -- Melodic Pattern Segmentation of Polyphonic Music as a Set Partitioning Problem -- Diagrams, Games and Time (Towards the Analysis of Open Form Scores) -- On Minimal Change Musical Morphologies.
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| 650 |
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0 |
|a Application software.
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| 650 |
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0 |
|a Music.
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| 650 |
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0 |
|a Mathematics.
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| 650 |
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0 |
|a Computer science—Mathematics.
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| 650 |
1 |
4 |
|a Computer Appl. in Arts and Humanities.
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| 650 |
2 |
4 |
|a Music.
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| 650 |
2 |
4 |
|a Mathematics in Music.
|
| 650 |
2 |
4 |
|a Mathematics of Computing.
|
| 700 |
1 |
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|a Pareyon, Gabriel.
|e editor.
|
| 700 |
1 |
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|a Pina-Romero, Silvia.
|e editor.
|
| 700 |
1 |
|
|a Agustín-Aquino, Octavio A.
|e editor.
|
| 700 |
1 |
|
|a Lluis-Puebla, Emilio.
|e editor.
|
| 710 |
2 |
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|a SpringerLink (Online service)
|
| 773 |
0 |
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|t Springer eBooks
|