|
|
|
|
| LEADER |
01911nam a2200433uu 4500 |
| 001 |
000109224 |
| 005 |
20160715093756.0 |
| 008 |
160121s1999 xxu ||||| eng |
| 020 |
|
|
|a 0960451498
|
| 035 |
|
|
|a 9469939
|
| 040 |
|
|
|a Sistema de Bibliotecas de la Universidad de Costa Rica
|
| 041 |
0 |
|
|a eng
|
| 082 |
0 |
|
|a 709.040.75
|b B424g
|2 22
|
| 100 |
1 |
|
|a Beke, László
|e Autor/a
|4 aut
|
| 245 |
1 |
0 |
|a Global conceptualism :
|b points of origin 1950s-1980s /
|c foreword by Luis Camnitzer, Jane Farver, Rachel Weiss ; introduction by Stephen Bann ; essays by Lászlaó Beke, Okwui Enwezor, Gao Minglu, ClaudeGintz, Apinan Poshyananda, Marí Carmen Ramírez, Terry Smith, Reiko Tomii in cooperation with Chiba Shiego, Margarita Tipitsyn, Sung Wan-Kyung, Peter Wollen
|
| 260 |
|
|
|a New York :
|b Queens Museum of Art,
|c c1999.
|
| 300 |
|
|
|a xii, 279 páginas :
|b ilustraciones
|
| 650 |
|
|
|a ARTE CONCEPTUAL
|
| 650 |
|
|
|a ARTE MODERNO
|x SIGLO XX - EXPOSICIONES
|
| 700 |
1 |
|
|a Enwezor, Okwui
|e Autor/a
|4 aut
|
| 700 |
1 |
|
|a Minglu, Gao
|e Autor/a
|4 aut
|
| 700 |
1 |
|
|a Gintz, Claude
|e Autor/a
|4 aut
|
| 700 |
1 |
|
|a Poshyananda, Apina
|e Autor/a
|4 aut
|
| 700 |
1 |
|
|a Ramírez, Mari Carmen
|e Autor/a
|4 aut
|
| 700 |
1 |
|
|a Smith, Terry
|e Autor/a
|4 aut
|
| 700 |
1 |
|
|a Tomii, Reyko
|e Autor/a
|4 aut
|
| 700 |
1 |
|
|a Shiego, Chiba
|e Autor/a
|4 aut
|
| 700 |
1 |
|
|a Tupitsyn, Margarita
|e Autor/a
|4 aut
|
| 700 |
1 |
|
|a Wan-Kyung, Sung
|e Autor/a
|4 aut
|
| 700 |
1 |
|
|a Woll, Peter
|d 1933-
|e Autor/a
|4 aut
|
| 700 |
1 |
|
|a Camnitzer, Luis
|d 1937-
|e Introductor/a ó Prologuista
|4 aui
|
| 700 |
1 |
|
|a Farver, Jane
|e Introductor/a ó Prologuista
|4 aui
|
| 700 |
1 |
|
|a Weiss, Rachel
|e Introductor/a ó Prologuista
|4 aui
|
| 700 |
1 |
|
|a Bann, Stephen
|e Introductor/a ó Prologuista
|4 aui
|
| 912 |
|
|
|a 15-JUL-2016 - SALAZAR ALVAREZ, CLAUDIO
|
| 915 |
|
|
|a 15-JUL-2016
|
| 917 |
|
|
|a 21-JAN-2016 - GRANADOS BARRANTES, MARIA IVANNIA
|
| 949 |
|
|
|a CSA -CSA
|
| 916 |
|
|
|a Centro Catalográfico
|