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210723s2016 sz ao gs ||||||eng d |
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|a 9783319388182
|q (ebook)
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|a 9783319388175
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|a Sistema de Bibliotecas de Universidad de Costa Rica
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|a 791.430.944
|2 23
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|a Cuff, Paul
|e Autor/a
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|a Abel Gance and the end of silent cinema :
|b sounding out Utopia /
|c Paul Cuff.
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|a Cham, Switzerland :
|b Palgrave Macmillan,
|c c2016.
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| 300 |
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|a 1 recurso en línea (xxxii, 241 páginas) :
|b ilustraciones (algunas a color), fotografías en blanco y negro, archivo de texto, PDF.
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|a Acceso al texto completo para la comunidad de la UCR por medio de la cuenta institucional
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|a This book explores the creation and destruction of Abel Gance's most ambitious film project, and seeks to explain why his meteoric career was so nearly extinguished at the end of silent cinema. By 1929, Gance was France's most famous director. Acclaimed for his technical innovation and visual imagination, he was also admonished for the excessive length and expense of his productions. Gance's first sound film, La Fin du Monde (1930), was a critical and financial disaster so great that it nearly destroyed his career. But what went wrong? Gance claimed it was commercial sabotage whilst critics blamed the director's inexperience with new technology. Neither excuse is satisfactory. Based on extensive archival research, this book re-investigates the cultural background and aesthetic consequences of Gance's transition from silent filmmaking to sound cinema. La Fin du Monde is revealed to be only one element of an extraordinary cultural project to transformcinema into a universal religion and propagate its power through the League of Nations. From unfinished films to unrealized social revolutions, the reader is given a fascinating tour of Gance's lost cinematic utopia.
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|a Gance, Abel
|d 1889-1981
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|a CINE FRANCES
|x HISTORIA Y CRITICA
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|a PELÍCULAS APOCALÍPTICAS
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|a PELICULAS CINEMATOGRAFICAS MUDAS
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|u https://springerlink.proxyucr.elogim.com/book/10.1007/978-3-319-38818-2
|y Ver documento en línea
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|a 2024-O
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|a Centro Catalográfico
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|a ACC -ACC
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